Richard Tuttle: basis, 70s Drawings, Pace Gallery, 540 West 25th Street, New York, October 25–December 21, 2019. Richard Tuttle: Days, Muses and Stars, Pace Gallery, 510 West 25th Street, New York, November 13–December 21, 2019. Richard Tuttle: TheStars, Modern Art, London, October 1–November 21, 2020. Richard Tuttle: Nine Stepping Stones, David Kordansky Gallery, Los Angeles, January 23–March 6, 2021. Richard Tuttle: What is the Object?, Bard Graduate Center Gallery, New York, February 25–July 10, 2022. Online: Richard Tuttle: Notebooks, Pace Gallery Website, May 5–June 11, 2022.

Richard Tuttle: Particles, Pace Gallery, 540 West 25th Street, New York, May 6–June 11, 2022. Concurrent with: Calder/Tuttle: Tentative, Pace Gallery, Los Angeles, January 21–February 25, 2023. Richard Tuttle – Calder/Tuttle: Tentative, David Kordansky Gallery, January 21–February 25, 2023. Richard Tuttle, Pace Gallery, 540 West 25th Street, New York, March 17–April 29, 2023. Richard Tuttle: My Best, Galerie Lelong & Co., Paris, September 7–October 7, 2023. Read Moreġ963, Trinity College, Hartford, Connecticut, BA Richard Tuttle draws beauty and poetry out of humble materials, creating works that exist in the present moment, reflect the fragility of the world, and allow for individual experiences of perception. Over the course of his career, he has continued to overturn traditional constraints of material, medium, and method that engages a variety of traditional and non-traditional processes such as in his wire, small-scale collage, dyed cloth, and octagonal pieces. Rejecting the rationality and precision of Minimalism, Tuttle embraced a handmade quality and the invention of forms that emphasize the occupation of these space along with volume. Tuttle’s engagement with scale, light, and systems of display have endured throughout his oeuvre and can be seen in his attention to marginal spaces such as floors, corners, and over door frames. He began incorporating the frame as an element in his compositions, collapsing the boundaries between the artwork and its surrounding space. For Tuttle, the 1980s and 1990s marked wider experimentation with material and a move toward in-the-round constructions. Early investigations into the merging of painting and sculpture are evident in his Constructed paintings which exist in a liminal space between mediums.

His work exceeds rational determinations, sensitizing viewers to perception and the unconscious, and engages aspects of painting, drawing, sculpture, bookmaking, printmaking, and installation.Įxposed to the Pop movement and the beginnings of Minimalism as a young artist, Tuttle began to explore the possibilities of material and form freed from historical allusion and precedent. Richard Tuttle has revolutionized the landscape of contemporary art, challenging rules and notions of genre and media.

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